Pride in medea

medea thesis topics

Her force, her intellect, and her strength of will all exceed her station. Because she is an outsider to normal order, she behaves without restraint or morality. Again, it is indisputable that Medea can hardly be seen as a positive example of peaceful emancipation, as some scholars would have it, especially when she leaves a trail of destruction and kills those who wronged her — even by simply being, as in the case of her children.

This raises a question of who the tragic hero is in Medea. Euripides likens all women's position to exile; in their having to leave home to serve their husbands.

It has been highly regarded in both arts and sciences for centuries, constituting the major focus for works of art and literature, as well as being at the centre of various studies e.

Jason, hero of the Golden Fleece although Euripides emphasizes that Medea was the true agent behind the success of the quest is now a wanderer. The Greeks, though they have some respect for her, often treat her smugly because of her sex and her barbarian origins.

It can be a form of punishment and solitude Modern audiences have difficulty conceiving of how horrible exile was for the ancient Greeks. The play is set in Corinth, a Greek city. The protagonist of a tragedy, known as the Tragic Hero is supposed to have certain characteristics which cause the audience to sympathise with them and get emotionally involved with the plot.

Creon, was the king of Corinth, the city where they were residing. Jason buys the act, demonstrating his lack of astuteness and his willingness to be duped by his own fantasies.

Medea manipulation

Euripides was a close friend of Socrates, one of the greatest philosophers in history. In her overzealous advocacy of her husband's interest, she has also made their family exiles in Corinth. However, it is with these building blocks of her myth that we as readers or audience need to start questioning the underlying motifs for such deeds. Such factors are hardly considered in the judgement of this dangerously strong woman. An evaluation of these and many more questions significantly depends on the ethical stance one takes on the Medea myth in general and on the version of the narrative one chooses to discuss. Remember that Aristotle considered the "unscrupulously clever" woman so distasteful as to be a subject unfit for drama; his statement reflects typically Greek attitudes. Creon, was the king of Corinth, the city where they were residing. He shows himself as well versed in rhetoric and very self-serving. Women in that period of history were greatly dependent of their husbands.
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Beware of Medea