An analysis of debussys arabaesque
It certainly seems closer to F minor, but this is definitely a developmental section that explores even more than the previous section.
Debussy arabesque 1 key
It opens with left hand chords and right hand trills. Debussy on Music , p Debussy composed the First Arabesque in , early on in his career, yet the composition hints at his later, mature piano works. Robert Schmitz , a pianist and friend of Debussy. Remember that in ballet, an arabesque is stretched out and suspended in time, so allow yourself time to stretch in this piece. The head was a strange one: the enormous forehead bulged forwards, while there seemed something missing at the back of the huge skull…. The transition into the impressionist style required Debussy to have strong opinions and to stand by them. Debussy seems to wander through modes and keys, and achieves evocative scenes through music. It is also used in the third season of British television show, Skins. This version is also played thematically during the opening and end credits of the Spanish TVE series Planeta imaginario. A performance of Arabesque No. Despite all theories, both old and new, we are still not sure, first, why it is consonant, and second, why the other chords have to bear the stigma of being dissonant. I figured if I could master the three against two problem in the Debussy Arabesque, I could execute the technique with my eyes open.
Allegretto scherzando The second arabesque in G major is noticeably quicker and more lively in tempo. It leads into a larger section beginning with a left hand arpeggio in E major and a descending right hand E major pentatonic progression.
Allegretto scherzando[ edit ] The second arabesque in G major is noticeably quicker and more lively in tempo.
Arabesque history debussy
It certainly seems closer to F minor, but this is definitely a developmental section that explores even more than the previous section. In this arabesque, Debussy favors more back and forth motion, alternating between only two chords for long stretches of time. Share this:. Composers, let the melody lead, even if it is as simple as a series of half notes descending by step, and embellish and arrange it later. February 10, Clause Debussy's "Arabesque No. Debussy seems to wander through modes and keys, and achieves evocative scenes through music. Much to my surprise and delight, this process worked, and in a few weeks I was able to play the two hands together at tempo.
Robert Schmitza pianist and friend of Debussy. Debussy on Musicp If the piece were longer, I imagine Debussy might have included this idea as chapter headings for each episode, but it is a fairly short piece overall, so he ends here with a delightful and cheery coda section built of the material from the beginning: Debussy, Arabesque No.
Debussy arabesque no 1 information
It leads into a larger section beginning with a left hand arpeggio in E major and a descending right hand E major pentatonic progression. Another melody of note comes from the very beginning, the first two measures: Debussy, Arabesque No. All Rights Reserved. It is also used in the third season of British television show, Skins. I figured if I could master the three against two problem in the Debussy Arabesque, I could execute the technique with my eyes open. It is made up of colors and rhythms. Robert Schmitz , a pianist and friend of Debussy. It can also be argued that the piece served not to evoke a strong emotion, but rather to suggest and create an atmosphere; the arabesques, after all, were supposed to remind the listener of the beauty and fluidity of Arabic architecture, not to tell a story. Then, we have the beginning figure again, except with the half-notes overtop of it: Debussy, Arabesque No. Note the triplets in the right hand on the top line, and the regular duple eighth notes in the left hand on the bottom line Other than this polyrhythmic figure, however, the rhythm is gentle throughout the rest of the piece. This post looks at how Debussy composed this music and what that has to do with being a performer of his music as well as being a composer who would like to create similar music. Again notable is a hint of the pentatonic scale.
Additionally, Romantic music tended to rely solely on major and minor scales, while Impressionism used dissonance and uncommon scales, such as the E Lydian scale mentioned above. An arabesque in ballet is a position in which the standing foot goes on point, the working leg is rotated outward and extended back behind the dancer, and the arms stretch equally outward, like the curlicues of the ornamental pattern.
We have this as the very beginning of the piece, followed by the polyrhythmic main theme of the piece that we looked at in the harmony portion of this analysis.
The takeaway here is that despite sounding more atmospheric than most classical motif-driven pieces, melody still plays a fundamental role in this piece.
I alternate colors to make this more obvious. But in the Debussy First ArabesqueI had to master four consecutive triplets against a string of eighth notes.
It opens with left hand chords and right hand trills.
However, the piece also has many characteristics that make it unique among the Romantic pieces.
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